- Cakewalk view all in multidock driver#
- Cakewalk view all in multidock pro#
- Cakewalk view all in multidock plus#
- Cakewalk view all in multidock windows#
Cakewalk also introduced the DirectX Instrument (DXi) plug‑in format as a Windows‑only answer to Steinberg's cross‑platform VST (a technology decision that arguably makes even less sense in hindsight).Īt this year's Winter NAMM show, Cakewalk were showing a completely new Sonar: Sonar X1.
Cakewalk view all in multidock driver#
Amongst a host of other features, Sonar sported a new user interface, and support for both Microsoft's then‑new WDM audio driver technology and DirectX 8, which finally allowed effects parameters to be automated.
Cakewalk view all in multidock pro#
Ten years ago last January, Cakewalk introduced the "next generation” successor to their eponymously named Pro Audio series of music production software for Windows. Here you can see the five main components: the Control Bar at the top, the Track View in the middle, the Inspector to the left, the Browser to the right, and the MultiDock at the bottom. Sonar X1 introduces a slick new interface framework called Skylight. It's disappointing that Sonar still feels cramped on a single monitor, though.Can Cakewalk's radical rethink of the DAW user interface tempt users of competing products into the Sonar fold - without alienating existing fans? All panels can be undocked, rearranged and turned into floating windows, and dragging the MultiDock to a second monitor worked well for us. The new Screensets provide a workaround by saving and recalling panel layouts, but it wasn't a perfect solution. The downside is that, even on our 1920x1200-pixel display, there wasn't enough room for the MultiDock window to be of much use until we enlarged it at the expense of the main Track View, where the bulk of recording and editing takes place.
Cakewalk view all in multidock plus#
The new MultiDock window runs along the bottom of the screen, and is home to pretty much everything else - the main mixer view plus editors for audio waveforms, loops, MIDI piano roll and music notation. It's well organised, and media and plug-ins can be dropped into the project. The right of the screen is home to a new Browser panel with three tabs for media, plug-ins and any virtual instruments currently in use. Clip and track properties can be displayed here too, although these views hark back to the dense information blasts of old. The new interface makes better use of the available screen space but it still requires a big monitor - or preferably two.Īn updated Inspector panel appears on the left, showing the selected track's mixer channel and, cleverly, the bus channel that it's routed to. There's still a lot for new users to take in - more text descriptions would have been welcome - but the learning curve is shallower than it was before. The transport controls and various other dense clusters of buttons have been redesigned into a single Control Bar that runs along the top of the screen.
Visually, the new interface is a vast improvement, despite the sombre colour scheme.
Cakewalk view all in multidock windows#
Its utilitarian appearance bordered on being ugly, windows battled for screen space and excessive use of cryptic icons, acronyms and long right-click menus made it feel more technical than creative to use. It's a welcome move, as while we've always admired Sonar's abilities, we've been less fond of its interface. The interface has been radically overhauled, largely doing away with multiple floating windows in favour of a docked-panel approach. In this latest update, the emphasis is on workflow. It was among the first music packages to combine traditional recording techniques with dance-oriented loop manipulation, and powerful features such as its V-Vocal pitch manipulation and AudioSnap audio quantise predate similar features in its main rival, Steinberg Cubase. Cakewalk Sonar has an impressive history of innovation.
0 kommentar(er)
